Portrait of me, aged 10

April 22, 2026
1 month

The painting was to be a surprise,

a present for my often-absent father.

Instructed not to tell a soul, I sat

 

for the artist: five Saturdays

from two until five. While my friends

played tennis, rode bikes, had fun

 

I was stuck inside, staring out.

Told to focus my eyes on something

all I could see was a lamppost.

 

So I stared at that. If I was lucky

a blackbird landed on a wire

or chased a sparrow from its perch.

 

The portrait won an award:

my upper self trapped in a gold frame

on page 5 of The Examiner.

 

The judges wrote about the artist

Who has captured so well

a child lost in thought

 

when, if truth be told, I was longing

for five o’clock. Has anyone

in the history of civilisation

looked this long at a lamppost?

Liz McQuilkin

Liz McQuilkin, a former English teacher, began writing poetry after retiring. Her collaboration – with four other Tasmanian poets – in the collection Of Things Being Various won the FAW National Community Award in 2010 and was published by Forty Degrees South in 2011. The Nonchalant Garden (Walleah Press, 2014) was her first solo collection. She collaborated with Karen Knight in Renovating Madness: Poems of Willow Court and the Royal Derwent Hospital (Walleah Press, 2018). Her second solo collection, Unwrapping Clouds, was published by Forty South in 2022. Recently, another collaboration has seen the publication of The Dear Four (Walleah Press, 2025).

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